Thomas Shapcott Poetry Prize

The secret is not to look at models or diagrams.
Each rose has its own imperfection. Begin from that.

Thomas Shapcott

 

Named in honour of a distinguished Queensland poet, the Arts Queensland Thomas Shapcott Poetry Prize for an Unpublished Manuscript discovers and celebrates emerging Queensland poets.

Now in its 21st year, this prestigious prize for an unpublished poetry manuscript comes with total prize money of $2,000, and a publishing contract. This prize is supported by Arts Queensland, in partnership with University of Queensland Press (UQP).

 

The 2023 Thomas Shapcott Prize is closed.

 

 2023 Judges

 

Maria Takolander

Maria Takolander is the author of four poetry books, the most recent of which, Trigger Warning (UQP), won the 2022 Victorian Premier’s Literary Award. Her poems have been widely anthologised, appearing regularly in The Best Australian Poems (Black Inc) and The Best Australian Poetry (UQP). Her short-story collection, The Double (Text), was a finalist in the 2015 Melbourne Prize for Literature.

 

Stuart Barnes

Stuart Barnes is the author of Like to the Lark (Upswell Publishing, 2023) and Glasshouses (UQP, 2016), which won the 2015 Arts Queensland Thomas Shapcott Prize, was commended for the 2016 Anne Elder Award and shortlisted for the 2017 Mary Gilmore Award. His poems have been widely anthologised and published, including in The Anthology of Australian Prose Poetry, Best of Australian Poems 2022, The Moth, POETRY (Chicago) and Poetry Wales. ‘Sestina after B. Carlisle’ won the 2021/22 Gwen Harwood Poetry Prize. 

 

2023 Awardee

Madeleine Dale for
The Water-Bearers

Judges comments:

The Water-Bearers is a book of exquisite skill and polish. In it, Madeleine Dale delivers rich and varied poems about water, revealing how it functions as the life-blood of our ecosystems but also our imaginations, energising romance and tragedy, troubling history and myth. This is lyric poetry at its best, sustaining both eye and ear, heart and mind.’

Madeleine Dale is a Brisbane-based poet and researcher. She holds a First Class Honours degree and Masters degree from the University of Queensland, where she is currently completing her PhD. Her first chapbook, On Fire with Dangerous Cargo, was published by Queensland Poetry in 2023.  

 
 
 

Runner-up

Sean West

Moonspinner

 

Judges comments:

Moonspinner is both an investigation of Sean West’s grandfather’s disappearance at sea and the poet’s experiences of saltwaterscapes. In full-hearted, controlled and glittering lyric and experimental poems and partly redacted factual ‘Findings’, West gently yet powerfully voices the silences around grief and loss; family photographs complement this solemn and buoyant collection. ‘Not all drowned things / are lost.’ 

Sean West is an autistic poet, disability support worker, and workshop facilitator. His recent shortlistings include the Queensland Premier’s Young Publishers and Writers Award, the inaugural Born Writers Award, and the Arts Queensland Thomas Shapcott Poetry Prize. He is the founding editor of Blue Bottle Journal. Find him at www.callmemariah.com

 

Shortlist

Mitchell Welch


Vehicular Man

Mitchell Welch’s Vehicular Man is formally varied, incorporating aphorism, elegy, sestina and villanelle, and varied in inspiration, from Federico García Lorca to Blixa Bargeld, Anastasia Romanova to J. D. Salinger. In thrilling, witty and wildly inventive poems that exist beneath ‘a Volkswagen-shaped cloud with its accelerator / depressed’, light dances with shadow, mythology mixes with history, and flesh grapples with bone.’

Mitchell Welch is a Gold Coast writer and freelance communications consultant. He has published poems, short stories and essays in a range of journals including Antipodes, Arena, Cordite, Meanjin, Overland, Rabbit, Short Fiction, Southerly and Text. 

D. Frederick Thomas

Work Poems

‘In Work Poems, D. Frederick Thomas exploits the acrostic form to astonishing effect, showing how, when it comes to the humble acrostic and the humble lives of those he uses it to depict, “nothing is ever / really as simple as it looks.” This is a collection of charismatic humility and skill.’

D. Frederick Thomas is a Brisbane-based writer, artist and (alongside his wife) home educating parent of two. Originally from Philadelphia, Pennsylvania, he holds an MFA from the University of Washington. His most recent journal appearance was in Fence back in 2014; since then, he has primarily produced artist books, zines and (again, alongside his wife) pseudonymous romance novels.

Becca Wang

Motherland Away

‘Motherland Away speaks from the space between two cultures and languages, drawing energy from dislocation and irreverence, boldly experimenting with what can and cannot be said. Describing the artist as “a shadow of doubt”, constantly defamiliarising any sense of certainty, Becca Wang announces herself as an exciting new voice in Australian poetry.’

Becca Wang is a writer and poet undertaking her BFA in Creative Writing at the Queensland University of Technology. She is the winner of the 2022 Spark Prize and has been published in Cordite Poetry Review and shortlisted in the Wells Festival of Literature. Wang is also passionate about food writing and freelances for Broadsheet Media. 

Emma Simington

Peculiar Times

‘Emma Simington’s is a distinctive, adroit and authentic voice, and Peculiar Times an irresistible, experimental and dazzling exploration of queer, trans and disabled experiences, taking in mind, body and spirit, forgetting and remembering, and the speculative and the real, and oscillating between the tones of Vanilla Coke and the Apocalypse. In these peculiar times we, like Simington, ‘cling to the flows // of love’. 

Emma Simington is a poet living on Yugambeh country. Her poems are in the pages of The Moth Magazine and Australian Poetry, among others. She has previously shortlisted for the Helen Anne Bell Poetry Bequest Award. Emma is proudly neurodivergent and transgender.

In 2023 she will write discordant lesbian folk songs, bowl wides, and excitedly start reading books she is unlikely to finish.

Eva Phillips

About Kitchens: an abstracted month of Wilhelmina Rawson

‘What is this poem / then but digestive tract’ asserts Eva Phillips in her adventurous, energetic and accomplished collection that clarifies some of the intersections of language, bodies and food. Australian women cookbook authors, poets and painters rise from About Kitchens’ intelligent, political and ethical poems, blazingly drawing attention to past, present and future.’

Eva Phillips is a writer and arts worker born and raised in Meanjin. She holds a BA (Hons Class I) from Griffith University, works at a cinema, and directs the artist-led initiative, pps/FORA. 

 

Previous winners

 

2022

Jarad Bruinstroop for Reliefs

2021

Janaka Malwatta for blackbirds don’t mate with starlings

2020
Gavin Yuan Gao for At the Altar of Touch

2019
Luke Best for Cadaver Dog

2018
Anna Jacobson for I know I may not escape unscathed (published as Amnesia Findings)

2017
Rae White for Milk Teeth

2016
Shastra Deo for The Agonist

2015
Stuart Barnes for The Staysails (published as Glasshouses)

2014
Krissy Kneen for Eating My Grandmother

2013
David Stavanger for The Special

2012
R.A. Briggs for Free Logic

2011
Nicholas Powell for Water Mirrors

2010
Vlanes (Vladislav Nekliaev) for Another Babylon

2009
Rosanna Licari for An Absence of Saints

2008
Felicity Plunkett for Vanishing Point

2007
Sarah Holland-Batt for Aria

2006
Angela Gardner for Parts of Speech

2005
Nathan Shepherdson for Sweeping the Light Back Into the Mirror

2004
Jaya Savige for latecomers

2003
Lidja Cvetkovic for War is Not the Season for Figs

 

The Thomas Shapcott Prize is supported by the Queensland Government through Arts Queensland, as well as University of Queensland Press (UQP).